Petite ReviMo March Day 2 - H. Joseph Hopkins Pt 2

Wednesday, March 18, 2015

A big thanks to Joe for all his great revision information and inspiration! 




TYPOS, GRAMMAR, ETC:

One purpose for revising is to spot and eliminate typos, missing or excessive commas, missing periods, etc.


“Father” not “fat her”
“Farther” not “fart her”
“Friends” not “fiends” …but around Halloween you may want “fiends” not “friends.”
Typos and grammar errors distract the reader from the ideas. Words should convey images, not draw attention to themselves.

As second problem with typos is that the editor has to correct them before loading your text into his/her document. If you include typos you make the editor’s work more difficult.
 

Don’t make the editors’ life difficult.

REVISE TO USE ACTIVE, NOT PASSIVE LANGUAGE:

 
Active voice helps picture the scene – it is easier for reader to see him/herself doing something.
Descriptive verbs help you stay in active voice
Active voice shortens your document, thus saving paper, time, effort, and money
Active voice is easier for children to comprehend

The basic form for active voice is: subject+verb. For example:

  • The girl remembered…
  • The children raced…
  • The meat sauce bubbled…
The Passive form
Often indicated by helping verbs combined w/ another verb, for example:

  • is,
  • am
  • are,
  • were,
  • was,
  • been
The word "by" is another clue to identifying passive voice.
Examples:
"The house is being built by a family
"That call was not made by me.
"Our mail carrier was bit by the dog.
"My computer has been fixed twice already

Sometimes passive is helpful. Consider my sentence “You may have to ask old uncle Jiggs what “percolate” means.” Here is a passive form of that sentence: “You may have to ask old uncle Jiggs what is meant by the word “percolate?” This passive sentence has the advantage of putting the key word “percolate” at the end of the sentence. Used sparingly, passive voice can be helpful.

Passive voice is commonly used in scientific and academic writing. Active voice is preferred in newspaper, magazine, media, and popular writing

STRONG DESCRIPTIVE VERBS:

 
These words do double duty: they label action and describe the context in which the action occurred. Thus, they help you stay in active voice.

For example,
“In the morning the children raced to the Christmas tree.”

Or, two young adult sisters whisper to each other on Easter morning:
“Let’s catch up while the children search for eggs.”

Or, describing a bright child’s response to school:
“She remembered the poems and stories she read.”

In The Tree Lady, trees are said to have “reached” toward the sky; branches said to be “stretched wide” to “catch” the light; and Balboa Park is described as a place “where people grazed cattle and dumped garbage.”

RULE OF THREE:

 
Note that in the sentences above from The Tree Lady I gave three examples of strong descriptive verbs. Writers, painters, and other artists have learned that the human mind seems to prefer groups of three. So, it is helpful if you name items in threes, for example,

During the Christmas season I enjoy the lights, the music, and the smiles.”

Of course there are times when you must ignore the rule of three. For example,

“Grandpa has lost his sight but he still enjoys holiday food with their delicious smells and tastes.”


 

So helpful! Thank you thank you Joe!













H. Joseph "Joe" Hopkins lived for many years on a houseboat on the Columbia River in Portland OR. Joe came to writing through a series of happy accidents after retiring from life as a Speech-Language Pathologist (SLP). Joe's picture book, The Tree Lady, illustrated by Meg McElmurry, was published by Simon & Schuster in 2013 and has won numerous awards from librarians and groups interested in biography, sustainability, environmental science, and the lives of independent women. The Tree Lady is a picture book biography of Kate Sessions, an independently minded woman who spent her life bringing plant color to San Diego and Balboa Park in Southern California. Reactions by reviewers children and parents have been uniformly positive and passionate. Sales have been brisk and The Tree Lady has reprinted three times.  Contact Joe at Josephhopkins65@gmail.com

Petite ReviMo March Day 1 - H. Joseph Hopkins Pt 1.

Thank you for joining us again Joe!! I still wanna hear more about living on a boat!




SENSORY WORDS:

Use sensory words to describe the pictures in your head: words that trigger memories of

sights,
sounds,
touches,
tastes, and smells.

We know our world through our senses: what we see, hear, feel, taste and smell. Use sensory images to help the reader picture in his/her head what you have pictured in your head.

Sight: use words that tell what the reader might see in the scene. For example, imagine a night in which the electrical power gone out and the main character is enveloped in blackness. Describe how he/she keeps lighting matches to search for candles. Does he/she keep glancing out the window hoping to see lights from neighboring houses?
Sound: what is the soundscape in the scene? Is there an unexpected silence because the TV and stereo no longer play and the refrigerator no longer hums? There is no whirring sound from the electric washer.

Touch: what might one feel in the scene? One summer morning I awoke on a sailboat. I felt dewy wetness on my sleeping bag. My fingers came away wet from the cabin wall. Water dripped the shrouds that hold the mast in place and pooled on the deck. The wet anchor line glistened in the morning sunlight. Dew covered every surface. What a pleasure to finally grip a steaming cup of coffee.

Taste: As a college student drives back to campus after Thanksgiving weekend, what does she remember: the thick creamy mashed potatoes smothered with too much butter? The combination of savory ham and sweet turkey swimming in brown gravy? The pudding creaminess of pumpkin pie and whipped cream?

Smell: As the homicide detective steps into the empty apartment, what assaults his nose? Unattended dog or cat droppings? The repulsive scent of stale beer and cigarettes? The burning sensation in the nose that goes with smelling blood?

Useful Resource:

Children’s Writer’s Word Book, by Alijandra Mogilner & Tayopa Mogilner, published by Writer’s Digest Books. Cincinnati, Ohio. Now in it's second edition. You can locate the Word Book at www.writersdigest.com [Or link above].

Next to my MacBook computer, the Word Book is the tool I use most when writing for children. It is studded with useful information and it is easily gripped in the hand and used.

The Word Book contains:
Word lists grouped by grade, Kindergarten through grade 6 and middle school (more than 50 pages)
Thesaurus of listed words, plus synonyms (232 pages)
Reading levels for synonyms
Alphabetical list of words (50 pages)
Plus extensive advice & tips on word usage

For example: In your story of Mrs. Readighrin’s kindergarten class field trip to the desert museum on the hottest day of the year, one of the coolers slips out of place and it’s lid falls open. Glancing inside Mrs. Mrs. Readighrin discovers that the ice cream treats are beginning to melt.

Time for a change of plan. Perhaps the ice cream should be eaten immediately and the sandwiches saved for later

But you want to picture Mrs. Readighrin as a teacher who wants her class to discuss ideas and agree on a course of action. She will not make such a decision without consulting the children.

Your next sentence is “Mrs. Readighrin wonders, ‘will the kids agree to eat the ice cream first?’ ”

But is the word “agree” one that kindergarteners would understand and read?

You snatch up your Word Book and look at the alphabetical word list in the back at. Oops, “agree” is listed as a second grade word. Too high for even Mrs. Readighrin’s precocious kinders.

Next you find “agree” in the thesaurus and discover that “like” and “love” are kindergarten level synonyms for “agree.” You also look up “same” and find that it is also a kindergarten level word.

So now you could revise your sentence using either “like,” “love,” or “same,” to indicate that the children agreed to eat the ice cream first.

You might write, “The kids would like eating the ice cream first.

You could even write, “The kids would love eating the ice cream first,” because “love” is also a kindergarten word.


Thank you Joe, you're a fount of great revision information/inspiration!













H. Joseph "Joe" Hopkins lived for many years on a houseboat on the Columbia River in Portland OR. Joe came to writing through a series of happy accidents after retiring from life as a Speech-Language Pathologist (SLP). Joe's picture book, The Tree Lady, illustrated by Meg McElmurry, was published by Simon & Schuster in 2013 and has won numerous awards from librarians and groups interested in biography, sustainability, environmental science, and the lives of independent women. The Tree Lady is a picture book biography of Kate Sessions, an independently minded woman who spent her life bringing plant color to San Diego and Balboa Park in Southern California. Reactions by reviewers children and parents have been uniformly positive and passionate. Sales have been brisk and The Tree Lady has reprinted three times.  Contact Joe at Josephhopkins65@gmail.com

And the winner is . . .

Monday, February 16, 2015



Rebecca Sheraton!!! 
Congratulations Rebecca, you've won a critique from Jennifer Swanson - Picture book critique - fiction (up to 800 words) or nonfiction (up to 1100 words.)

But as always, anyone who revised yesterday is a winner in my book! :D

The next Petite ReviMo will be Wednesday, March 18th, with guest blogger Deb Lund! 

Petite ReviMo February with Jennifer Swanson AND a Giveaway!

Saturday, February 14, 2015

Lights, Camera… ACTION!




How does your book idea first appear to you? Do you see an image which kicks off an idea? Do you read something that flashes across your brain?

For me, my fiction stories appear in my head as a slow motion movie. I see the characters move, interact, and speak. I can describe every bit of the background, setting, and dialogue. It’s as if I’m the director of my very own movie!

When the movie begins, I race to my computer and to get it down. I sit transfixed watching my story play across my brain.




Then I start typing furiously.
I am convinced that the words I’m writing are as vivid as the images I’m seeing.
Filled with excitement, I read them.
Ugh.
What happened? How can the images be so vivid and the words so flat?

Should I panic?
No.
First drafts are supposed to be, well . . . UGH.

Now comes the fun part: Revising.

Wait? Revising is fun?

Believe it or not my favorite part about writing is revising. I know. That seems weird. Most people hate revising. Not me. It gives me a chance to watch the movie over and over in my head until I get it just right.

Where do you start?

I like to pretend that I am a brilliant cinematographer and I am out to create an Oscar-winning movie. (Yes. . . I know. But it is my dream, right?)

So as I pick up my pen, or in this case, hunker down in front of my keyboard, I focus on molding my writing to the image in my head.

I ask myself the following:

1. What is the mood of this piece?

--Will it be “shot” in black and white? Meaning does the story have drama, intrigue, mystery? Maybe a film noir like Casablanca?




--Is this story to be in color with vivid characters that leap off the page? Will it be chock full of excitement, action-adventure, and danger, like Indiana Jones?




2. How will my manuscript focus on the characters?

-- Will there be a close-up of just one character throughout – like first person or third person limited?



-- Will there be a narrator who is omniscient? Like Ralphie in The Christmas Story



-- Will the focus be on a group of people – second person or third person objective? Like the astronauts in The Right Stuff



3. How will the scenes flow?

-- Will they be fast and furious like an action movie?






-- Or slower and more descriptive like in a drama?



-- Will it take place all at once or be drawn out over time?



4. What is the sequence or flow of the manuscript?

--Will there be long introduction of characters?




-- Or will you just jump right into the action?



-- How long will the sequence be? Each sequence has a beginning, middle and end, so they are like subplots. They need to move the story along but not spend too much time with each one.




5. Will there be a sequel and how will you handle the overall plot line? 






As I revise, I go over and over my copy, layering in each of the above items.

Yes. Over and over.

Revision takes time.







Sometimes lots of it.

The first couple of revisions may still not look at all like the movie in my head.

But eventually, the images become words on the page.

Finally, what I’m reading invokes the same dramatic images that are in my head.

And as they say in show business, That’s a wrap!



Thank you Jen!! 

Jen is giving away a picture book critique to one lucky ReviMo'er! Comment on this blog post for a chance to win. Happy revising everyone! 





Jennifer is an award winning author of over 20 nonfiction and fiction books for children. Her books in the “How Things Work” series by The Child’s World were named to the 2012 Booklist’s Top 10 Books for Youth: Series Nonfiction. She has received awards from the Pennsylvania TriState Young Adult Review Committee, The Moms Choice Awards, and The Dove Foundation. Top reviews include a starred review in Booklist, and recommended reviews from School Librarians Workshop, Library Media Connection, and the National Science Teacher Association.  http://jenniferswansonbooks.com/

Winner winner, chicken dinner!!!

Tuesday, January 20, 2015




Winners of the ReviMo 2015 Prizes for revising 7 days:

(which is awesome and every one who did it should be celebrating 'cuz that was hard!)

Lori Mozdzierz
*Critique from Karen Grencik, Red Fox Literary*

Nicole Popel
*Critique from Jennifer Mattson, Andrea Brown Literary Agency*
Winners I will be in touch with you, via email, about collecting your prize. If you don't see my email, check spam folder or contact me! 

Thank you all for participating in ReviMo!!! I had a revision and fun-filled (albeit some staring and swearing) week. The very BEST prizes are the revisions you've made and the camaraderie of our great group!

Be sure to check out the CafePress Shop! All proceeds (through Fri. Jan. 23nd) will go to Reading is Fundamental. http://www.cafepress.com/megmillerwriterartist

STAY TUNED! MORE PRIZES TO BE ANNOUNCED!
 
 
ReviMo 2015 Prizes for 6+ days revised:

(congrats to all who revised 6 days (like moi!) that was tough, but so rewarding!)


Yvonne Mes

* One Video Production (or collaboration) from Carrie Charley Brown*


Kimberly Sprinkles Cowger

*Renee LaTulippe's Lyrical Language Lab Online Writing Course*

Sydney O'Neill

*Susanna Leonard Hill's Making Picture Book Magic Class*

Manju Gulati Howard

*Critique from Sudipta Bardhan-Quallen*

Winners I will be in touch with you, via email, about collecting your prize. If you don't see my email, check spam folder or contact me!

I wish I had prizes for everyone! But don't forget about the special offers from our lovely sponsors! Contact me if you can't find the details on the website or the Facebook group!

Be sure to check out the CafePress Shop! All proceeds (through Fri. Jan. 23nd) will go to Reading is Fundamental. http://www.cafepress.com/megmillerwriterartist

STAY TUNED! MORE PRIZES TO BE ANNOUNCED!
 
One more prize up for grabs! 

The winner of Linda's book already had it, so I'm opening it up a bit. If you revised 1 day or more, you are eligible to enter to win The Nuts and Bolts Guide to Writing Picture Books! Scroll down to the bottom of this post to find the Rafflecopter for today's prize! Open until Thursday midnight, CST.
 
And now...

Winners of the ReviMo 2015 Prizes for revising 4+ days:

Carrie Finison
*Picture Book Critique from Alayne Kay Christian*

Janie Reinart
*Picture Book Critique from Penny Parker Klostermann*

Gabi Snyder
*Picture book manuscript critique from Carrie Charley Brown*


You are all winners in my book! Hope you'll join us for Petite ReviMo, February 15th. Jen Swanson will be our guest blogger and she's kindly offered a prize. 1 Picture book critique - fiction (up to 800 words) or nonfiction (up to 1100 words.)

Be sure to check out the CafePress Shop! All proceeds (through Fri. Jan. 23nd) will go to Reading is Fundamental. http://www.cafepress.com/megmillerwriterartist

a Rafflecopter giveaway  
 
 
And now...

The final prize goes to:

Lauren Kerstein

*Linda Ashman's ebook THE NUTS AND BOLTS GUIDE TO WRITING PICTURE BOOKS*

Today is the last day to purchase from the CafePress Shop and have proceeds go to Reading is Fundamental. http://www.cafepress.com/megmillerwriterartist

That's all for now folks! 
See you for Petite ReviMo, February 15th!