First off, I'm pleased to announce the ReviMo 2015 - Revise More Picture Books Week will be January 11th-17th! Guest bloggers, prizes and more details to be announced later!
ReviMo History: Summer 2013, I had a rough draft file FULL of (poopy) stories. I was writing (poopy) drafts and revising each month with Julie Hedlund's 12x12 Picture Book Challenge. I'd written 7 (poopy, noticing a trend here? :D ) drafts in 7 days with Paula Yoo's NaPiBoWriWee I was gearing up for Tara Lazar's PiBoIdMo, when I had a thought; someone needs to do a revision challenge. My next thought was, why not me? And so ReviMo was born...
This year I'm hoping that ReviMo will be just as inspiring and exciting, but I'm going to work smarter not harder as I seem to have less time, all the time. I think we all know how THAT goes!
I've been so blessed in my writing journey. I've met a lot of supportive, kind and generous souls along the way. Thanks kid lit peeps!
Good stuff coming up:
Tara Lazar's PiBoIdMo, Picture Book Idea Month (coming up in November!)
AND ChaBooCha Lite, Chapter Book Challenge starting TODAY! Best of luck ChaBoCha'ers!
Hope you'll join us for ReviMo!
Showing posts with label Countdown to ReviMo. Show all posts
Showing posts with label Countdown to ReviMo. Show all posts
ReviMo 2015!!!!
Monday, September 1, 2014
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ReviMo
Monday, December 30, 2013
Two weeks until ReviMo! Hooray hooray! Today we have Marcie Colleen with us. Welcome Marcie!
Can you tell us about yourself?
Wow. That’s a
HUGE question. Sometimes I wonder, myself. I am a former teacher
and former theater educator from New York. I have always wanted to
be a writer, but didn’t know what KIND of writer until 2010. And
then it kinda seemed like a no-brainer. Picture Books + Marcie =
perfect fit.
Let’s see.
What are the top 10 spicy things I can tell you about…
- I used to work in the Broadway theater industry.
- I once met Sir Paul McCartney at a party.
- Tony Randall, of THE ODD COUPLE fame, used to be my boss.
- I’ve been skydiving.
- I worked the Macy’s Thanksgiving Day Parade once.
- I just recently ran the NYC Marathon.
- I studied for most of my masters degree oversea in the UK.
- I starred in a B-rate horror flick back in the day. Eeek! Can you say “straight to video”?
- My fiancĂ© is an artist who’s medium is Lego bricks. You can check out his work at BKNY Bricks on Facebook. (psst…for his REAL job he works at Little, Brown though.)
- I am one degree from Kevin Bacon.
What has most influenced your picture
book writing journey?
Truly, I think
it’s the way I look at life. I tend to have a 5 year old
sensibility. I view a lot of my household goings-on through the eyes
of my sock monkey. When you look at life that way, the scenarios
keep rolling in.
What inspires your revisions?
The drive to “get
it right.” I want each one of my stories to be the best that they
can be. Therefore, I want to be stretched and questioned. I belong
to 3 critique groups and have many friends who read my work, as well.
They truly inspire me to keep on keepin’ on.
The current
manuscript my agent has out on submission is version #25! Yeah. You
heard me. Number 25! I worked on the manuscript for 14 months and
in that time wrote many drafts and had many eyes look at it. I had
professional critiques and peer critiques. I think I was at version
#23 when I signed with my agent. And then we went through two
revisions together before finally deciding version #25 was the one we
wanted to send out into the world.
So,
revisions are important. Having patience is important. Being
thorough is important. That’s why you have to love the process.
How has having an agent changed your
revision process?
I have a greater
sense of confidence since landing my agent. I guess I like the idea
that at least one more person in the industry loves my work and
thinks its worthy of publication. So, when Susan asks for revisions
I take them very seriously. I know she has the best interest of the
story in mind and I love that I now have a “business partner”. I
trust her. Her critiques have been spot on.
Recently I sent a
revision to her that I was certain was ready to submit. I was a
little disappointed when she returned my manuscript to me a few days
later with notes for revision. She apologized, but said she didn’t
think it was quite there yet. But to be truthful, I would rather
have an agent say, “Its not ready yet” than “Its good enough.”
Favorite picture book?
Hmmmm. I think I
have to go with a classic. CAPS FOR SALE by Esphyr Slobodkina. Not
only does it have monkeys in it (my fave!) but it is a fabulously fun
read-aloud and a favorite of mine since childhood.
Favorite hair product? (Love those
locks!)
Alas, it always
comes down to the hair, doesn’t it?
About 3 years ago I decided to splurge and get my hair cut at “The
Curly Girl Salon”, officially called Devachan, right here in NYC.
They specialize in cutting curly hair. My curls have never looked
better. And, in fact, I use hardly any products now because the cut
is so good. But I do use the Devachan hair products which are better
for curly hair because they do not have any silicone in them. I use
the Devachan Low-poo Shampoo, One Condition Conditioner and DevaCurl
Light Defining Gel. That’s it. My routine is simple. I condition
and use the gel every other day. The shampoo I use when
needed…sometimes only once every 2 weeks. And there you have it.
Thank you Marcie, love your 10 spicy things! I have to ask, how are you one degree from Kevin Bacon? :D
Check out all the Pre-ReviMo Interviews here!
Last day to spread the word about ReviMo and win! Enter here!
Thank you Marcie, love your 10 spicy things! I have to ask, how are you one degree from Kevin Bacon? :D
Check out all the Pre-ReviMo Interviews here!
Last day to spread the word about ReviMo and win! Enter here!
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Monday, December 23, 2013
Three weeks until ReviMo! Wow, time flies. Today Penny Klostermann is here to talk to us. Welcome Penny!
Can you tell us about yourself?
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I write picture books and poetry. I was
named runner-up for the 2012 Barbara Karlin Grant. My debut book,
THERE WAS AN OLD DRAGON, is coming from Random House Children’s
Fall 2015. It will be illustrated by Ben
Mantle (big smile!). I am represented by Tricia Lawrence of the
Erin Murphy Literary Agency.
Can you tell us about your picture
book writing journey?
I’ve wanted to write picture books
for a long time. But I was all want and no action until Fall 2010. It
was then that I decided that if I really wanted to do this thing that
I’d better get serious. Early in 2011, I found a critique group
(the critique group of awesomeness). I had never critiqued a
manuscript in my life. So not only did I need to learn how to write a
picture book, I had to learn how to critique. No, they didn’t just
let me in. I had to give writing samples and they saw something. They
didn’t see a well crafted-picture book…I can tell you that.
Looking back…Oh my! But you know, the fact that they let me in
challenged me to get to work. I worked!!! Then came Runner-up for the
Barbara Karlin Grant. That was a HAPPY day and the encouragement I
needed to pursue getting an agent. After researching, I knew my top
choice was the Erin Murphy Literary Agency. But there were others I
liked, too. I queried and submitted to several. In April 2013, I
signed with Tricia Lawrence (Erin Murphy Literary )
and that was a HAPPIER day! Just a few days after Tricia submitted
THERE WAS AN OLD DRAGON, we had interest from Maria Modugno at Random
House Children’s Books. And I guess the HAPPIEST day of all was
when Maria said she wanted my story!
That’s very condensed because along
the way…I wrote. I revised. I read picture books. I read
craft books. I wrote. I revised. I read picture books. I
followed blogs. I wrote. I revised. I read picture books.
I critiqued. I wrote. I revised. I read picture books.
I entered challenges. I wrote. I revised. I read picture
books. I got discouraged. I wrote. I revised. I read
picture books. You get the picture!
What has influenced you most?
As far as influences, my critique group
gets a ton of credit. They are honest and encouraging. They push me
to write my best. Other influences have been my online writing
buddies that I share with many of you through Susanna
Leonard Hill’s blog activities, Tara
Lazar’s PiBoIdMo, and Julie
Hedlund’s 12 x 12. I love you people!!!
Can you tell us a little about your
revision process?
After I write my first draft, I try to
look at it as a manuscript I’m critiquing for someone else. I know
I can’t really let go of the fact that it’s my story, but I try.
By doing this, I find a lot to reconsider, delete, and/or change.
Then I send it off to my critique group. I read each of their
critiques and let my thoughts simmer. I’ve learned to consider each
of their comments in terms of what I want to do with my story. From
their comments alone, I may come up with several revisions. Then when
I have it revised to my liking, I send it back to my critique group.
And so the process continues until I feel my story is the best it can
be.
If my manuscript is rhyming, I send it
through my poetry critique group, The Poet’s Garage. They are
wonderful to point out problems with meter, logic, or forced rhyme.
I consider each word. I use the heck
out of the thesaurus. As I’m considering an idea, writing a draft,
and revising, I do a lot of research. I keep a glossary of terms and
images relating to my characters and settings. Even though my
manuscripts are fiction, the research has had an influence on all my
stories. For instance, while writing THERE WAS AN OLD DRAGON, I
researched dragons and medieval times. I pasted the information and
images at the bottom of my manuscript. The research is informative
and inspirational. I know my revisions wouldn’t have come as
quickly if I hadn’t had my research for reference.
I did have to revise THERE WAS AN OLD
DRAGON. That scared the beejeebies out of me! It’s rhyming…Eeek!
I totally got what Maria wanted to see and knew if I could find my
way to the revisions that my story would be stronger. At first
nothing came to me! Nothing! Nada! Blank! I took a deep breath and
did other things for a few days. Then slowly, new lines began
creeping into my brain. I made notes and turned those words into text
that got me all kinds of excited about the transformation of
my story. I came up with two options. I sent them to my critique
group and my poetry group. Mixed opinions! I had my favorite, but the
other one was strong, too. We ended up showing them both to Maria.
She picked my favorite
Favorite picture book?
You saved the hardest question for
last! There is no way I could pick a favorite! I do have a soft place
in my heart for Lily’s Purple Plastic Purse by Kevin Henkes
because it never fails to entertain me and is one of the picture
books that inspired me to try my hand at writing. I love Interrupting
Chicken by David Ezra Stein! I could go around all day reciting
Three Ninja Pigs by Corey Rosen Schwartz. Then there’s Can’t
Sleep Without Sheep by Susanna Leonard Hill which I read over and
over again. And Pat Zeitlow Miller’s Sophie’s Squash just
came out this fall and I just know it will be a classic. I’ve made
it known that I actually hug the picture books that I love! I read
them the first time and I just can’t help myself…*HUG*! There are
many more I have hugged, but I’ve gone on too long.
You can learn more about me at my blog,
~a penny and her jots~.
Be sure to check out my Perfect Picture Book Friday posts. You can
search for them with my Search box at the top of my left sidebar. I
would love to have you drop by my Pinterest (HERE)
where I pin a plethora of picture books.
Now get revvvvvvvvved up! ReviMo is not
that far away!
Thanks for having me, Meg!
Thank you for joining us Penny! I love that you hug favorite books.
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ReviMo 2014
Monday, December 16, 2013
My fingers have typed and typed, the draft is on the page, what next? REVISE!
Being
a firm CDO candidate (OCD in the proper alphabetical order), my
revising process is very exact. Granted that as writers and illustrators
we are artist, so my organized method may seem insane. But, perhaps an
idea or two will help you along your journey.
You
will need a box of crayons or markers with at least 12 different colors
(I told you that my way was exact) and 1 index card. You can use
different colors for different things but this is my story, so it’s my
color description :-)
Blue- I underline each time my main character is referred to or speaks.
Red- I put a mark by each
time another character is mentioned or referred to.
Is there more red than blue in your story? Then ask yourself, “who is my story about?”
Let’s check our tenses:
Purple- mark every word that ends with an “ed”.
Yellow- mark every word that ends with an “s” or an “ing”.
Pink- mark every single did, didn’t, was, wasn’t, were, said, asked, had, hadn’t, went, gone or been.
Green- mark every single do, does, doesn’t, is, am, are, says, asks, has, hasn’t, have, haven’t, go, goes, going, be and will.
Words
that end with “ed” are generally past tense while words that end with
an “s” or “ing” or generally present tense. Check all of your purple and
yellow marks to ensure that you aren't tense wobbling.
Now, do you have pink and green marks in the same story? You are tense wobbling. Decide your point of view and then fix it.
“There
ain’t no stinking math in revising.” Oh, yes there is. Know your word
count without any authors notes, back matter or bibliography. Put an
Orange line at 10% and 75% of your story.
At 10% of your story we need to know the who the main character is and what the problem is.
At 75% we need to feel that all hope is lost and begin our resolution.
This
works for everything, watch movies and television. On a one hour TV
show, by the first commercial we know who the story is about and what
their problem will be. And, when there is only fifteen minutes left we
lose all hope: the good guy is captured, the couple gives up, etc. Then
we begin the resolution as the good guys picks the
lock and breaks free only to save the day or the couple run into each
other in the grocery store and all love is rekindled. It’s the 10/75
solution.
Turquoise-
Have someone read your story and put a X by any part where their mind
wanders off in another direction. This lets you know what to cut or
where to amp up the drama.
Now,
let’s grab that index card. Does your story satisfy the reader? On one
side write your first sentence or two. On the back side write your last
sentence of the story. Now read it as though those sentences were your
story. Does the end satisfy the beginning? I call this the “Once upon a
time, they lived happily ever after effect.”
Look at some of your favorite books and you will see the satisfaction that the ending delivers.
And finally- SHOW-vs-TELL, the words we hear over and over and over again.
You should have four colors left to use.
Lime Green- mark every sensory word including all forms of feel, smell, taste, listen, heard, saw, viewed and touched.
Brown-
mark all words that show emotion such as scared cried whimpered,
trembled, laughing, saddened, and even cliches like knots in her
stomach.
Lavender- Action words, lets use those verbs. Mark ever action word from ran, skipped, chop, bark, hid and more.
Baby
Blue- Mark every adjective from colors, temperatures of cold, hot,
muggy, actual sounds such as creaking or tastes like sour or bitter.
Words that end with an “ly” are very often adjectives.
Now
look at your story, do you have lots of lime green, brown, lavender and
baby blue filling your story? You should. These are the words that put
us in the
story.
Example of us telling:
In July, 1776, men gathered in a building to sign a piece of paper.
Can
you see the illustrations? Sun shining since it is July, men in clothes
from 1776 era, a building and maybe even a banner that says, “1776.”
Now let’s show the story:
On
a steamy July day in 1776, some very important men gathered. Excitement
filled their hearts as they signed not just any piece of paper, but the
declaration of the United States of America.
Whatever your revision process might be, I hope that it brings your story to success.
Thank you Kristen! I'm feeling inspired, anyone else? Print out a couple manuscripts and a grab a box of crayons and let's prep for ReviMo! :D
Read more Pre-ReviMo interviews, click here and scroll down.
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ReviMo 2014
Monday, December 9, 2013
Five weeks until ReviMo! I'm excited, how about everyone else? Today we have Christine Irvin with us. Welcome Christine!
I have had a passion for writing ever since I can remember. When I was younger, I liked to write poetry. It just felt right to write poems about things that were important to me. Now, I don't write poetry very much, but I like to write stories, particularly stories for children, hopefully ones that will become picture books. I started reading very early and I am an avid reader. Books have had a major impact in my life. I would like to have at least one picture book in print that is the kind of book that kids ask for again and again and again. Okay, I want to be the author of a whole slew of those kinds of PBs, but ya gotta start somewhere. That dream is there, and has been for quite some time, and I keep pursuing it even though I sometimes get sidetracked.
Christine you have several craft books published Paper Cup Mania, Egg Carton Mania and more (click here), how have they influenced your picture book writing?
Well, at the beginning, right after they came out in print, I was under the mistaken impression that I had hit the big time. I had eight craft books to my name (then, there are 9 now). Surely, publishers would want to publish other things I had written. Right? Wrong. It's been a very slow, uphill journey in my picture book writing career. I keep writing stories and they keep getting rejected (for a number of reasons). That's discouraging, but I keep on trying. I've incorporated the idea of making things into the story lines of a couple of my most recent endeavors. I like the idea of the main character learning how to make things, how to create something decorative or useful. I think that idea could work well in the picture book market. I'm going to keep working on it...
Favorite picture book?
Gosh, I don't think I have a FAVORITE one, there are just sooooo many really, really good ones. I LOVE most of the picture books J. Patrick Lewis has written. He writes a lot of poetry for children and I love his style.
What inspires you to revise?
I've joined a couple of critique groups whose members are very helpful and encouraging. They are good at pointing out the places in my stories that need revision, but they also are very good at offering suggestions for revisions. They help me look at my stories from different angles to see what works and what doesn't work, so I have a better idea of how to revise and make them better.
Thank you Christine!
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Sunday, December 1, 2013

First, thanks for having me over - I love opportunities to talk PBs! A reformed graphic designer, I am a pre-published author/illustrator of picture books. Currently illustrating 3 board books for a local indie press, to be launched in Oct.'14. Originally from Long Island, New York, I transplanted from northern Germany to Colorado 15yrs ago. Let's just say, I got around.

Why and where do you write and/or illustrate picture books?
I started writing because I needed something to illustrate, but now I have to write because I can't help myself - I enjoy it that much! But I've never thought to be writing for kids, I'm just having fun! When an idea hits, any scrap of paper will do. And no office, I have to get everything done before other family members need the computer! Otherwise I sketch while sulking on the sofa.
Favorite picture book?
Too many, but Bread and Jam for Frances, by Russell and Lillian Hoban, holds sweet and sticky memories for this former picky eater. For about 3 years I have, at times, been reading close to 100 PBs a week. My librarian says I am their best customer! Now I am a picky reader.
Favorite illustrator?
Again too many - even tougher to name one, so I'll include the link to the growing list on my blog: http://julierowanzoch.wordpress.com/illustrators-i-link/ And I totally judge book by it's cover - so glad when I am wrong!
What inspires your revisions?
Everything. I love my critique group partners, face-to-face and online, but I read and re-read craft books and articles, and otherwise let problems stew while I pursue other activities, like hanging wash on the line. I play badminton competitively (stop laughing, Meg - it is an olympic sport!), which puts me in a zen mode - I only focus on the next hit. This acts like a gray-cell duster and story revision comes easiest when the mind has had a chance to clear. At least for me!

How is your revision process different when you are illustrator and writer?
I don't really know how to answer that. I'd like to say it's tougher. It's not easy to ask for a critique when you haven't got a dummy to accompany your text and all the images are in your head. My mss would look a bit art-note heavy if I tried to put it ALL in words! On the other hand, I can revise without changing the words - ha, ha! Now there's a skill, eh? Generally, I try to get the text completed before I do a sketch for every scene, but I definitely flesh out my characters visually - that's a LOT of fun! Sometimes the character sketch cries out for a story, but at this point I more often have an idea first and the character is developed through the pencil - drawing IS thinking!
Love it and your art, thank you Julie!
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Monday, November 25, 2013
Seven weeks until ReviMo! Tonight we have an interview with the lovely Deborah Holt Williams, (who is also my critique mate!).
Can you tell us about yourself?
My name is Deborah Holt Williams and I'm a retired preschool teacher, still subbing and visiting classrooms as a storyteller. I have five kids and three grandkids, and I live in the mountains in Glenwood Springs, Colorado.
Favorite picture books?
I love Bruce Coville's Sarah's Unicorn, and The Friendly Giant. Mrs. Wishy Washy by my writing hero Joy Cowley is another favorite. And Bubba the Cowboy Prince, and old, wordy books by Virginia Lee Burton and Robert McClosky, the Little Bear books--so many favorites!
If you could be a superhero, what would your power be?
It would be nice to have a superpower that let me see exactly the fix my stories need to become beautiful, published picture books for my grandkids!
Can you tell us about your picture book writing journey?
I graduated with a journalism degree from UW-Madison and I've always loved writing. I made up bedtime stories and finally started writing them down in the early 90's. One summer I made it my goal to send off five manuscripts, and one of them sold to Seedlings (which at the time was a new publisher started by two teachers) as an easy reader. They bought four more before Seedlings was bought by Continental Press. Continental hasn't purchased any more from me, but they keep my books in their catalog and I'm still earning royalties. In '96 I sold a story for $2000 to a New Zealand publisher. I was a single mom, and I celebrated by taking my youngest to Disneyland--before I got the check. I came back to find the gas cancellation notice, the electricity cancellation notice, and the check--whew! The company was purchased so it could be closed down and my story never ran. I later reworked it and sold it to Highlights as a rebus!
Which segues into reworking and revising--four times now, Highlights has asked me to revise pieces, and I always take their suggestions and most of the time, they go on to publish them. I find revising with suggestions, from the publisher or my critique groups, is SO much easier than trying to do it on my own! But, when I do my own revising, I pay attention to the sound of the words together (I like a little alliteration), and to using the verbs to illustrate the character (stomped vs walked, for example). Picture book writing is so tight, words have to do double duty when they can. I've had good luck with my magazine writing (Highlights, High Five, Hello, Jack and Jill, Turtle, AppleSeeds, Spellbound) but no luck yet with my picture book manuscripts. Now days, with picture books having so few words, I think the short word limits for magazines are good training--or so I tell myself between rejections! But, a magazine story will probably only get one illustration, and with a picture book, you have to think about an illustration on every page, so it is quite different. Every sentence has to pack a punch as a caption to a picture.
So very true. Thank you Deb!
Can you tell us about yourself?
My name is Deborah Holt Williams and I'm a retired preschool teacher, still subbing and visiting classrooms as a storyteller. I have five kids and three grandkids, and I live in the mountains in Glenwood Springs, Colorado.
Favorite picture books?
I love Bruce Coville's Sarah's Unicorn, and The Friendly Giant. Mrs. Wishy Washy by my writing hero Joy Cowley is another favorite. And Bubba the Cowboy Prince, and old, wordy books by Virginia Lee Burton and Robert McClosky, the Little Bear books--so many favorites!
If you could be a superhero, what would your power be?
It would be nice to have a superpower that let me see exactly the fix my stories need to become beautiful, published picture books for my grandkids!
Can you tell us about your picture book writing journey?
I graduated with a journalism degree from UW-Madison and I've always loved writing. I made up bedtime stories and finally started writing them down in the early 90's. One summer I made it my goal to send off five manuscripts, and one of them sold to Seedlings (which at the time was a new publisher started by two teachers) as an easy reader. They bought four more before Seedlings was bought by Continental Press. Continental hasn't purchased any more from me, but they keep my books in their catalog and I'm still earning royalties. In '96 I sold a story for $2000 to a New Zealand publisher. I was a single mom, and I celebrated by taking my youngest to Disneyland--before I got the check. I came back to find the gas cancellation notice, the electricity cancellation notice, and the check--whew! The company was purchased so it could be closed down and my story never ran. I later reworked it and sold it to Highlights as a rebus!
Which segues into reworking and revising--four times now, Highlights has asked me to revise pieces, and I always take their suggestions and most of the time, they go on to publish them. I find revising with suggestions, from the publisher or my critique groups, is SO much easier than trying to do it on my own! But, when I do my own revising, I pay attention to the sound of the words together (I like a little alliteration), and to using the verbs to illustrate the character (stomped vs walked, for example). Picture book writing is so tight, words have to do double duty when they can. I've had good luck with my magazine writing (Highlights, High Five, Hello, Jack and Jill, Turtle, AppleSeeds, Spellbound) but no luck yet with my picture book manuscripts. Now days, with picture books having so few words, I think the short word limits for magazines are good training--or so I tell myself between rejections! But, a magazine story will probably only get one illustration, and with a picture book, you have to think about an illustration on every page, so it is quite different. Every sentence has to pack a punch as a caption to a picture.
So very true. Thank you Deb!
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ReviMo 2014
Monday, November 18, 2013
Our first guest is the lovely Elaine Kiely Kearns, "Rev up those engines!"
Can you tell us about yourself?
I am the mother of two, a writer, an educator, and an optimist. Not necessarily in that order.
Tell us about your picture book writing journey? What has influenced you most?
Even though I teach second grade, I have always wanted to write picture books. It wasn’t until 2007 that I decided to pursue it as a career. I started out slowly, researching different agents and editors. I sent out manuscripts and got rejections. However, it wasn’t until I won a contest on DEAREDITOR.com in early 2012 that I threw myself into the craft. Deborah Halverson gave me a really great critique and, without knowing it, a really great boost of confidence. She is an expert in the field, has many books published, has been an editor at Harcourt for years—and she likes my writing! She has been my freelance editor ever since. After that, I joined an in-person critique group (which has since dissipated), and then got together with some 12x12 people; together we have formed a really great online group. We are very close, and I would be lost without their constant support and invaluable critiquing.
Favorite picture book?
Of course that’s like asking me to pick my favorite child. I love all picture books, but if I had to pick just one author, or just one book, it would have to be anything by Mo Willems. I love his picture books—they’re fun without the slap-you-in-the-face messages. I’ll take a fun romp that has the kids in stitches any day. My all-time favorite is DON’T LET THE PIGEON DRIVE THE BUS. I love doing the voice of the pigeon and the silliness that the book demands when you read it. I got to meet Mo Willems at the NY SCBWI Conference last year, and he was lovely. I was a babbling idiot when I met him; he must have thought I was a total nut. I found out that we even share a birthday—February 11—so it’s destiny that I should love his work so much!
What gets you inspired to revise?
I think that having a critique group is extremely important. The feedback you receive from other people can put you on a completely different path and give you a new perspective, particularly when you are sick of your manuscript. I typically go through several rounds of revisions with my critique group, and then I send it off to Deborah Halverson for line editing. Each time the manuscript comes back to me for revisions, I am excited by the thought of revising. Yes, excited!
Thank you Elaine! :)
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